
I'm a paragraph. Click here to add your own text and edit me. It's easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. I'm a great place for you to tell a story.

soundtracks & theatre music

INKBLOOD (2024-2026)
Inkblood is a video game from Hey Bird! studio and published by Critical Reflex. I created an original musical soundtrack for Inkblood together with Jonáš Svoboda. The music is quite complex, using a very wide range of approaches, instruments, techniques and techniques... So you better listen to it. (When it comes out)
The expected release is in 2026.
Neboj, neboj (2026)
Scenic music for the production of Don't Be Afraid, Don't Be Afraid based on the book about fear by Milada Rezková, directed by Štěpán Gajdoš, and performed by Studio 60+.
Created in collaboration with guitarist and composer Jakub Šimanský , the stage music combines acoustic guitar, banjo and lap steel guitars, exciting synths and sequencers, and ambient synth surfaces.


Štěstí, zdraví, pokoj svatý (2025)
A six-channel spatial music installation for a permanent nativity scene exhibition in the Museum and Gallery in Prostějov.
This musical composition is a gentle, almost meditative piece, supporting the atmosphere of Christmas gathering in contrast to the hustle and bustle. At the same time, however, it carries elements of tension associated with the complicated story of the birth of Christ, in contrast to the typical nativity and carol revelry. I used almost exclusively acoustic instruments and field recordings of the sounds of nature, because the architecture of the entire exhibition is built by hand and from natural materials, reminiscent of a stable, the place of Christ's birth. It was created in cooperation with the association Omlouvámesepardón.
Agnetha volá S.O.S. (2025)
Sound design and scenic music for a production at the National Moravian-Silesian Theatre using significant motifs and principles present in the music of the band ABBA.

